Uh, wow. One of my longtime favorite dance genres, B-more, meets a genre I’m trying to make inroads into: K-pop. Gotta love those single-initial origin abbreviations.
Dootdoot doesn’t just slap one of the classic B-more breakbeats under a sped up copy of “Gee,” he rips out elements and cuts them into a rapid-fire shape of his own design, hewing to the best of the form. Splicing in a few classic hip-hop samples here and there. It’s the real deal, which is always appreciated in the current diluted world of remix culture.