Accurate description of life in Bawlmer for the characters of The Wire.
Lol sure take my favorite television scene from the past year and infuse it with the single genre of music that’d elicit more pathos for me, whatever, I can take it
How can people even argue over this, given how it all shakes out?
Until all demographics are represented equally through “natural” means, we have stereotypes and regressive perception to dismantle as a society. Anyone arguing otherwise is speaking on behalf of conservatism and an inequitable world. The positions in the debate over this topic reduce to “this isn’t as good as it can be, what can we do about it?” and “this is fine, stop talking about it.” I can’t see a positive outcome from the latter.
Like even if women turned down hosting offers, there’s a reason why, and that reason is rooted in inequality. Otherwise we’d see a flawlessly-representational rainbow coalition in that Vanity Fair shoot. The alternative is believing that white men and a disproportionately small number of black men are inherently better at comedy than every other race, every other gender, etc.
Also, finally: it may not be the most marketable thing for networks to take a chance on diversity, but it’s the fucking ethical thing, and defending poor ol’ little billion dollar corporations for trying to max out their dollar doesn’t sit right with me either. Hopefully in a couple of decades some executive at one of the networks will remember this uproar (or the many others) and decide to sacrifice a yacht in order to attempt at making the world a better place.
Seriously: how can the status quo be defended? I can’t wrap my head around simply being “okay” with the limited ways we interact with and value each other as human beings.
“It’s an attitude mirrored on the other side of the screen as well. Binge-watchers care little for how their meal is coursed out; all they want is to dig in. And Game of Thrones is particularly delicious when devoured in bulk. There’s little tonal variance between the hourly installments; everything is equally good. In fact, it’s the rare show that’s probably better served by such gluttony: Less time away makes it harder to mistake your Sansas from your Sandors, your Lothars from your Lorases. Game of Thrones is proof that more and more people are coming around to David Simon’s way of thinking: Individual episodes aren’t works unto themselves but rather chapters in a carefully crafted novel. More than sex pirates and smoke babies, imp slaps or jokes about Littlefingers, this may be Game of Thrones‘s most enduring legacy. What we thought was an exercise in transforming a book into television may actually have helped turn television into a book.”
– Andy Greenwald in this article on Grantland.
Written a year ago, I didn’t see this piece until now. I hope my friends who don’t tune out when I start going on about the future of TV will notice that this talk about Game of Thrones turning television into a book and episodes as chapters in a novel is practically verbatim out of my own mouth.
I’m currently writing a grand space-epic animated sitcom with Ethan. I hope I sound more frightened than deluded when I say that the two of us have gotta change TV fast, before somebody beats us to it. The geyser is ready to blow and some youngblood series is gonna be the triggering tremor. The good news is that everyone’s gonna stick with drama pilots for now because comedy is for jesters and pigs (e.g. me, a pig-jester. oink)
The Leftovers trailer
The pitch meeting for this show was hopefully as simple as “We’re gonna make Left Behind but actually be artistic and smart and realistic and good.” Hell, I want this show to start a religious war between its audience and Left Behind readers. That would be so zeitgeisty.
THE GREATEST JOKE ADVENTURE TIME HAS EVER WRITTEN
If you think some minor 4th-wall breaking is the greatest joke ever written for Adventure Time, you’ve seen one episode of Adventure Time and it’s the one portrayed above.